What began as a playful exchange with a friend became a long-term storytelling experiment: we invented characters and sent each other letters as if they were real. Each piece carried its own world — a wartime love letter written in 1944, a note from a professor of magic searching for Mandrakes (complete with a sketch), a postcard from a young camp explorer recounting her misadventures, and even a witch’s spell for Ostara shared with her coven sister. Blending handwriting, illustration, and narrative, the project turned simple correspondence into a series of living fictions — part design exercise, part world-building, part secret diary.